For the highly anticipated Ballet Week, Friedemann will be performing five productions from the Stuttgart Ballet’s 2018-2019 season, including Balanchine’s Symphony in C in Shades of White on 16th & 20th July, Akram Khan’s Kaash in Breath-taking on 24th July, John Neumeier’s The Lady of the Camellias on 25th July, Jiří Kylián’s One of a Kind on 27th July, and finally closing with Kenneth MacMillan’s Mayerling on 28th July. Friedemann is looking forward to revisiting these ballet masterpieces and contemporary classics in this annual celebration of dance.
Kaash - meaning “if” in Hindi – was Akram Khan’s first full-length work, and Stuttgart Ballet’s premiere of Kaash will present several firsts for Friedemann. As always, Friedemann embraces the opportunity to acquire a different movement vocabulary, particularly the notable interplay between speed and stillness in the classical North Indian dance. As a ballet dancer, he is also excited to interpret this seminal piece by the eminent British choreographer, who broke new ground informing contemporary dance with kathak. Friedemann will perform Kaash for the opening night of the triple-bill Breath-Taking on 28th June, with more performances to follow.
Crown Prince Rudolf in Mayerling is considered one of the most technically and emotionally demanding roles for male dancers; it is also a character that Friedemann aspired to perform for a long time. He is eagerly anticipating his debut in this challenging role of the tormented prince – heir to the Austro-Habsburg Empire in the late 19thCentury - at the Stuttgart Ballet premiere of the complex Kenneth MacMillan ballet on 18th May, with more performances to follow.
Albrecht was Friedemann’s first ever lead role, and will therefore always hold a special place in his heart. As such, Friedemann is excited to reprise this role in Patrice Bart’s version of Giselle, based on the original choreography by Jean Coralli and Jules Perrot, with the sublime Polina Semionova and Ballett Zürich on 30 May for one performance only.
It was an honour for Friedemann to be featured on the cover of Art Tourist for their latest issue entitled “JOHN” after the iconic choreographer John Cranko who put Stuttgart Ballet on the world map, prompting the culture magazine to cast their spotlight on the Stuttgart-born kammertänzer. In his interview, Friedemann talks about his career, and how performing around the world means the absence of a routine, which has helped keep things fresh for him with every day presenting a new opportunity. ARTTOURIST.COM