For the highly anticipated Ballet Week, Friedemann will be performing five productions from the Stuttgart Ballet’s 2018-2019 season, including Balanchine’s Symphony in C in Shades of White on 16th & 20th July, Akram Khan’s Kaash in Breath-taking on 24th July, John Neumeier’s The Lady of the Camellias on 25th July, Jiří Kylián’s One of a Kind on 27th July, and finally closing with Kenneth MacMillan’s Mayerling on 28th July. Friedemann is looking forward to revisiting these ballet masterpieces and contemporary classics in this annual celebration of dance.
Kaash - meaning “if” in Hindi – was Akram Khan’s first full-length work, and Stuttgart Ballet’s premiere of Kaash will present several firsts for Friedemann. As always, Friedemann embraces the opportunity to acquire a different movement vocabulary, particularly the notable interplay between speed and stillness in the classical North Indian dance. As a ballet dancer, he is also excited to interpret this seminal piece by the eminent British choreographer, who broke new ground informing contemporary dance with kathak. Friedemann will perform Kaash for the opening night of the triple-bill Breath-Taking on 28th June, with more performances to follow.
Crown Prince Rudolf in Mayerling is considered one of the most technically and emotionally demanding roles for male dancers; it is also a character that Friedemann aspired to perform for a long time. He is eagerly anticipating his debut in this challenging role of the tormented prince – heir to the Austro-Habsburg Empire in the late 19thCentury - at the Stuttgart Ballet premiere of the complex Kenneth MacMillan ballet on 18th May, with more performances to follow.
Albrecht was Friedemann’s first ever lead role, and will therefore always hold a special place in his heart. As such, Friedemann is excited to reprise this role in Patrice Bart’s version of Giselle, based on the original choreography by Jean Coralli and Jules Perrot, with the sublime Polina Semionova and Ballett Zürich on 30 May for one performance only.
It is always a privilege for a dancer to be part of a creation, and an absolute joy for Friedemann to share the stage again with Paris Opera Ballet étoile and Artistic Director of Rome Opera Ballet Eleonora Abbagnato for this new collaboration with the Rome Opera Ballet. Nuit Blanche, choreographed by French choreographer Sébastien Bertaud and costumes of which are designed by the Christian Dior fashion house, will have its world premiere on 29 March 2019 in Rome as part of a Philip Glass evening. More Information
It was an honour for Friedemann to be featured on the cover of Art Tourist for their latest issue entitled “JOHN” after the iconic choreographer John Cranko who put Stuttgart Ballet on the world map, prompting the culture magazine to cast their spotlight on the Stuttgart-born kammertänzer. In his interview, Friedemann talks about his career, and how performing around the world means the absence of a routine, which has helped keep things fresh for him with every day presenting a new opportunity. ARTTOURIST.COM
Friedemann has always enjoyed performing widely contrasting work across the dance spectrum, from romantic hero roles like Armand Duval in John Neumeier’s The Lady of the Camellias to more contemporary productions such as the upcoming Stuttgart Ballet premiere of Jiří Kylián’s One of A Kind. Having performed Bella Figura and Forgotten Land- two other critically acclaimed pieces by the world-renowned choreographer - Friedemann is looking forward to dancing One of A Kind for the opening night on 22 February, with more shows to follow.
For Stuttgart Ballet’s imminent revival of The Lady of the Camellias to celebrate the 40th anniversary of this ballet masterpiece that was created for the company, Friedemann is relishing his reprisal of the role of Armand Duval, as well as the precious opportunity to work with esteemed choreographer John Neumeier again. Friedemann will be performing on 16th January for the opening night, with subsequent dates to be announced.
John Cranko's celebrated masterpiece Onegin will be on TV on 30 & 31 December! Onegin is one Friedemann's most cherished roles, and he hopes this festive season screening on ARTE will bring equal delight to viewers discovering this dramatic ballet for the first time and those who have already experienced it on stage or on the big screen. Filmed on the occasion of its 50th anniversary last year, this Stuttgart Ballet production features Friedemann as "the most elegant and elegiac Onegin of all time" (Suedwest Presse), and is also available for purchase from Amazon on Blu-Ray and DVD.
In Germany: 31 Dec at 00h30
In France: 31 Dec at 01h20
Also available online in arte's media library from 30 Dec
For the first time in several years, Friedemann will reprise his romantic role as Prince Désiré to awaken the sleeping Princess Aurora with a kiss, in one of the greatest classical ballets. As guest artist of the Royal Swedish Ballet, Friedemann will give two performances of Marcia Haydée's Sleeping Beauty, on 15th and 29th September.
ballet meets mode
Friedemann collaborated with Tokyo-based Singapore fashion photographer Leslie Kee for the August edition of Vogue Taiwan. For this feature, Friedemann wore outfits primarily by Japanese fashion designers, including Yohji Yamamoto, Issey Miyake, and Roggykei.
Following his performance with Tokyo Ballet as guest artist in spring, Friedemann is thrilled to go back to Japan for the second time this year, for the World Ballet Festival in summer. This will be his sixth participation in the much anticipated triennial event, and Friedemann is looking forward to dancing with fellow ballet stars from around the world again from 1st to 15th August in Tokyo. DETAILS & TICKETS
Having worked closely together with the Rome Opera Ballet on Roland Petit’s La Chauvre Souris in 2016, Friedemann is looking forward to return to Rome as guest artist at the company again in May 2018, this time to perform Kenneth McMillan’s celebrated classic Manon with their Artistic Director and Paris Opera Ballet Étoile Eleonora Abbagnato. Whilst Friedemann and Eleonora have danced together before, this will be their first partnership for this beloved ballet tragedy. Friedemann will reprise his critically acclaimed role of Chevalier Des Grieux end of May at Teatro Costanzi in Rome.
Following his premiere in Sir Frederick Ashton’s The Dream with Sarasota Ballet in March , Friedemann will reprise his role as Oberon as guest artist with the Tokyo Ballet on 28 and 30 Apr at the Tokyo Bunka Kaikan. Friedemann has not performed in Tokyo since his last tour there in 2015 with Stuttgart Ballet, and is excited to be back in one of his favourite cities, as well as to collaborate with the Tokyo Ballet again.
Friedemann is thrilled to be featured in the 7th edition of the annual Fashion for Men magazine, newly launched at Colette in Paris, and available soon in fashion & design capitals around the world. It was a total joy for Friedemann to work with the magazine’s founder Milan Vukmirovic himself for the photo shoot. Friedemann was dressed by Fendi, making this his second collaboration with the Italian luxury brand for a magazine feature.
Friedemann's first performance of 2018 will be in the Stuttgart Ballet Encounters double-bill: Jerome Robbin's multi-layered masterpiece Dances at a Gathering – a nuanced distillation of the spectrum of human interaction - and John Cranko’s ode to friendship Initials R.B.M.E. (dedicated to former Stuttgart Ballet principal dancers Richard Cragun, Birgit Keil, Marcia Haydee, and Egon Madsen). Friedemann will perform in both revivals for the opening night on 13 January. More performances to follow. Details & tickets
It is always a pleasure to dance Swan Lake, especially when it has been a while since Friedemann’s last performance of this ever-popular ballet. Friedemann is looking forward to reprising his role as Prince Siegfried and being torn between Alicia Amatriain’s Odile and Odette, for the opening night of this John Cranko classic on 6 December in Stuttgart. More performances to follow later in the month.
Having performed Sir Frederick Ashton’s Marguerite and Armand in the 2016 Fall for Dance Festival in New York with the Sarasota Ballet, Friedemann is looking forward to working with the company again, this time as guest artist in another Ashton choreography: The Dream. Friedemann is particularly delighted and honoured to have the opportunity to work with Sir Anthony Dowell – his childhood hero and one of the greatest danseur nobles of the 20th Century – on the role of Oberon that was created on him. Friedemann will be making his debut in Sarasota, with two performances of The Dream on 2 and 3 March 2018.
Friedemann Vogel and Alicia Amatriain - his longtime dance partner and fellow Stuttgart Ballet étoile – first started dancing together at the John Cranko Schule when they were just 14 years old. It is therefore with great pleasure and anticipation that Friedemann joins Alicia & Friends in her hometown, San Sebastián on 10th and 11th November, to perform a mixture of classical and contemporary repertoire. Incidentally, this will be Friedemann’s debut in San Sebastián.
Having made his debut as Onegin in Singapore in 2014, Friedemann is excited to return with Stuttgart Ballet to The Esplanade – Theatres on the Bay, to perform another John Cranko classic: Romeo & Juliet. Friedemann will be dancing Romeo for one night only on 12th October, with Alicia Amatriain as his Juliet.