Friedemann is thrilled to receive an award from the Danza & Danza Magazine in recognition of his choreography and performance of his first full-length co-creation with Thomas Lempertz "Die Seele am Faden/Soul Threads" at the 2024 Spoleto Festival.
"The sense of freedom I feel when everything I dance depends on me is inexplicable".
Read more in the cover story on Friedemann in the latest issue of Danza & Danza.
Friedemann is very honoured to receive the John Cranko Prize, on the occasion of his 25th anniversary celebrations at the Stuttgart Ballet. This prestigious prize is awarded to personalities in recognition of their outstanding contribution to the legendary choreographer's work. With this latest accolade, Friedemann joins the ranks of past and present artistic directors of the Stuttgart Ballet, such as Marcia Haydée, Reid Anderson, and Tamas Detrich, as well as the late principal dancer Heinz Clauss, whom Friedemann will portray in the upcoming "Cranko" biopic by Joachim Lang.
Prize ceremony John Cranko Prize for Friedemann Vogel with Reid Anderson, Marcia Haydee, Fred Binder, Tamas Detrich,Vivien Arnold (c) Roman Novitzky Stuttgart Ballet
Johan Inger in rehearsal with Elisa Badenes and Friedemann Vogel (c) Roman Novitzky
Friedemann has always relished being involved in the creative process, and his first collaboration with the Swedish choreographer Johan Inger is extra invigorating, as Friedemann will be revisiting the familiar role of “Prince Désiré”, but with a comedic twist in Johan’s fresh, funny, and contemporary take on the classic fairy tale “The Sleeping Beauty”. Friedemann will be dancing in the world premiere of “Aurora’s Nap” at the Stuttgart Ballet on 25 February, with more performance dates to be announced.
"Dancer of the Year 2019 according to TANZ, the bible for contemporary dance, and one of the most important contemporary German dancers", Friedemann kicks off the new year with a fabulous feature in THE FASHION ISSUE of GQ Italia. Dressed by Dior for this exhilarating fashion shoot, Friedemann also gives an in-depth interview on the heightened intimacy between dancers, the ephemeral nature of the art form, the concept of masculinity in relation to dance.
Friedemann Vogel for GQ Magazine January 2020
Friedemann Vogel by Youn Sik Kim
Friedemann is delighted to be named "Dancer of the Year" by Tanz - the industry dance magazine - in recognition of his recent outstanding interpretations of Kenneth MacMillan's Mayerling and Akram Khan's Kaash. This is the second time he has received this prestigious accolade; he was named "Dancer of the Year" for the first time by Tanz in 2010.
Following Onegin with Stuttgart Ballet in November, Friedemann will be back in Beijing again on 1st December, on this occasion as guest artist of the National Ballet of China, to reprise the role of Albrecht in Giselle with Qimin Wang as the tragic heroine. It will be the first time Friedemann performs this beloved ballet classic with the National Ballet of China.
For the Stuttgart Ballet's tour to Beijing in 2019, Friedemann will be dancing his critically acclaimed role of Onegin on the opening night on 1st November. He is looking forward to perform this masterpiece by John Cranko for the Chinese audience, and to being back on stage in China after nearly three years.
Photo (c) Stuttgart Ballet
After participating in multiple editions of the annual International Ballet Star Gala in Taipei and Taichung, Friedemann will be giving his first ever full-length performance in Taiwan on 26th October, reprising one of his most popular roles as Romeo in John Cranko's celebrated masterpiece. Friedemann's performance of Romeo & Juliet with Stuttgart Ballet at the Weiwuying National Center for the Arts will also be the first time he is dancing in Kaohsiung.
Friedemann Vogel (c) Youn Sik Kim
For the highly anticipated Ballet Week, Friedemann will be performing five productions from the Stuttgart Ballet’s 2018-2019 season, including Balanchine’s Symphony in C in Shades of White on 16th & 20th July, Akram Khan’s Kaash in Breath-taking on 24th July, John Neumeier’s The Lady of the Camellias on 25th July, Jiří Kylián’s One of a Kind on 27th July, and finally closing with Kenneth MacMillan’s Mayerling on 28th July. Friedemann is looking forward to revisiting these ballet masterpieces and contemporary classics in this annual celebration of dance.
Friedemann Vogel (c) Koone
Kaash - meaning “if” in Hindi – was Akram Khan’s first full-length work, and Stuttgart Ballet’s premiere of Kaash will present several firsts for Friedemann. As always, Friedemann embraces the opportunity to acquire a different movement vocabulary, particularly the notable interplay between speed and stillness in the classical North Indian dance. As a ballet dancer, he is also excited to interpret this seminal piece by the eminent British choreographer, who broke new ground informing contemporary dance with kathak. Friedemann will perform Kaash for the opening night of the triple-bill Breath-Taking on 28th June, with more performances to follow.
Photo (c) Roman Novitzky Stuttgart Ballet
Crown Prince Rudolf in Mayerling is considered one of the most technically and emotionally demanding roles for male dancers; it is also a character that Friedemann aspired to perform for a long time. He is eagerly anticipating his debut in this challenging role of the tormented prince – heir to the Austro-Habsburg Empire in the late 19thCentury - at the Stuttgart Ballet premiere of the complex Kenneth MacMillan ballet on 18th May, with more performances to follow.
It is always a privilege for a dancer to be part of a creation, and an absolute joy for Friedemann to share the stage again with Paris Opera Ballet étoile and Artistic Director of Rome Opera Ballet Eleonora Abbagnato for this new collaboration with the Rome Opera Ballet. Nuit Blanche, choreographed by French choreographer Sébastien Bertaud and costumes of which are designed by the Christian Dior fashion house, will have its world premiere on 29 March 2019 in Rome as part of a Philip Glass evening. More Information
It was an honour for Friedemann to be featured on the cover of Art Tourist for their latest issue entitled “JOHN” after the iconic choreographer John Cranko who put Stuttgart Ballet on the world map, prompting the culture magazine to cast their spotlight on the Stuttgart-born kammertänzer. In his interview, Friedemann talks about his career, and how performing around the world means the absence of a routine, which has helped keep things fresh for him with every day presenting a new opportunity. ARTTOURIST.COM
Friedemann Vogel in Konzert für Flöte und Harfe (c) Stuttgart Ballet
After performing in Japan, Spain and Sweden over the past months, Friedemann is looking forward to performing back home, for the Stuttgart Ballet Season Premiere on 13th October. The triple bill Shades of White is a celebration of classical and neo-classical ballet, and comprises Concert For Flute and Harp by John Cranko with music by Mozart, The Kingdom of the Shades (from La Bayadère) by Petipa with music by Minkus, and Symphony in C by Balanchine with music by Bizet. Following the season opening, Friedemann will be dancing in more performances of the triple bill over the rest of October.
