The Stuttgart Ballet Gala 2022 in Japan

Friedemann Vogel (c) Stuttgart Ballet

Friedemann Vogel (c) Stuttgart Ballet

Friedemann is thrilled to be going back to Tokyo so soon, this time with the Stuttgart Ballet for a special gala. In addition to dancing two pas de deux with Elisa Badenes - from John Cranko's Onegin and Kenneth MacMillan's Mayerling - Friedemann will be exceptionally performing Béjart's masterpiece Boléro with the Tokyo Ballet. The gala will take place from 19th to 21st March, and Friedemann is really looking forward to dancing for the audience in Japan again. For more info: https://www.nbs.or.jp/english/news/the-stuttgart-ballet-gala-2022.html



The World Ballet Festival in Tokyo

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Friedemann is very much looking forward to returning to Tokyo for his seventh participation in the World Ballet Festival, which brings together many of the most internationally sought-after ballet stars on the same stage every three years. For this 2021 edition, Friedemann will be teaming up with his fellow Stuttgart Ballet étoile Elisa Badenes to dance a pas de deux from the classical repertoire and another from a contemporary production from 13th to 22nd August. 

DATES & DETAILS

"NOT IN MY HANDS" – Digital Premiere

After a year like no other, Friedemann was inspired to try his hand at choreography for the first time, and co-created “Not in my hands” with his life partner and former soloist Thomas Lempertz. Set to Mozart's"Requiem", the solo encapsulates Friedemann’s attempt to make sense of these extraordinary times as well as his confidence in the resilience of artists who will eventually triumph.

In his ongoing efforts to engage the audience until live performances resume, Friedemann is premiering the creation as a video on the Stuttgart Ballet’s YouTube channel, filmed by fellow principal dancer Roman Novitzky.

PHYSICAL CONVERSATION – the Exhibition

While the theatres remain shut, Friedemann continues to explore new ways of bringing dance to the public. Last year, he collaborated with Oliver Kröning on "Physical Conversation" - a visual dialogue between a dancer and a photographer, both storytellers using their respective art forms. The limited edition art box comprising photos of Friedemann captured at unlikely locations during the lockdown to raise funds for the Olgäle Stiftung – Foundation for Sick Children.
“Physical Conversation” returns next week, this time as a photo exhibition in the museum garden of the StadtPalais – Museum for Stuttgart, where visitors will have the chance to enjoy dance through the images, each one a fragment of a story open to interpretation.

Curated by the Galerie Kernweine, the exhibition will take place from 9th May until 30th June, with a digital opening live streamed via Facebook and Instagram on 8th May at 19h00.

click here

Friedemann Vogel by Oliver Kröning

Friedemann Vogel by Oliver Kröning

MESSAGE AUTHOR FOR INTERNATIONAL DANCE DAY 2021

 

Friedemann feels very honoured to be selected by the International Theatre Institute to give the official International Dance Day message this year. As a dancer, he is more used to communicating through movement, but hopes that his message can help in some way to boost the much-needed sense of solidarity in the dance community at this very challenging time, and shine a light on the importance of dance in the world, now more than ever.

ITI WEBSITE

Friedemann Vogel’s Message for International Dance Day on April 29th, 2021

Everything starts with movement – an instinct we all have – and dance is movement refined to communicate. Much as flawless technique is important and impressive, it is ultimately what the dancer expresses inside the movement that is the essence.

As dancers, we are constantly on the move, aspiring to create these unforgettable moments. Regardless of the dance genre, it’s what every dancer strives to achieve. So, when all of a sudden, we aren’t allowed to perform anymore, with theatres closed and festivals cancelled, our worlds come to a standstill. No physical contact. No shows. No audiences. Never in recent history has the dance community been so collectively challenged to stay motivated, to find our raison d’être.

Yet, it is precisely when something precious has been taken away from us that we truly appreciate how vital it is what we do, and how much dance means to society at large. Dancers are often celebrated for their physical prowess, when in fact we are sustained even more by our mental strength. I believe it is this unique combination of physical and psychological agility that will help us overcome, to reinvent ourselves to keep dancing, and to keep inspiring.

Friedemann Vogel for GQ Germany 2021

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"Friedemann Vogel is one of the best ballet dancers in the world. We requested him for a fashion shoot - in the interview, he talks about physicality, training and fashion."

GQ GERMANY

In addition to the opportunity to share his thoughts, from the frustration of practising alone during the pandemic, to his increasing appreciation for craftsmanship when it comes to fashion, it was above all, a treat for Friedemann to partake in this shoot for GQ Germany, which served as a timely outlet for expression while theatres continue to be out of bounds

Deutscher Tanzpreis 2020 for Friedemann Vogel

Friedemann Vogel Deutscher Tanzpreis 2020

Friedemann Vogel at the Stuttgart Ballet PHOTO © Roman Novitzky 2020

Friedemann is incredibly honoured to be receiving the prestigious award for "Outstanding Performer" at the 2020 German Dance Prize. The Dachverband Tanz Deutschland (German Dance Association) has lauded him for his longstanding and illustrious international career, and as a unique dance interpreter, with his exceptional combination of intense emotional portrayals and excellent technique. The announcement of this great honour has given Friedemann renewed motivation and strength to continue finding new ways to reach audiences at this challenging time. He is looking forward to seeing everyone at the prize ceremony in October in Essen, and to hopefully sharing the stage with colleagues to do what is so important to them all: to perform live for the audience again. 

DETAILS

Back in the Opera House "RESPONSE I" with the Stuttgart Ballet

 

Friedemann Vogel in Boléro Photo (c) Carlos Quezada

For the Stuttgart Ballet’s highly anticipated new mixed repertory evening RESPONSE I, Friedemann will be performing Béjart’s masterpiece Boléro. Friedemann is thrilled to be dancing for a live audience in the theatre again, after months of cancelled performances both at home in Stuttgart and abroad, and to return to the stage with one of his absolute favourite works makes it even more special.
In addition to the three performances in the opera house for a limited number of audience members on 25th and 26th July with respect to social distancing restrictions, the premiere on 25th July will be broadcast live to the Cannastatter Kulturwasen – a new drive-in movie theatre in Stuttgart – to enable thousands more to enjoy live dance performances again.  Details

Dior and the Dance with Friedemann Vogel

For over two weeks now, dancers of the Stuttgart Ballet have been allowed back in the dance studios to train in small numbers. Well aware of this being a rare privilege at a time when social distancing has made it very challenging for dancers to stay in shape or rehearse, Friedemann has been wondering how he can give back to the dance world, which has given him so much.

This beautiful “Dior & Dance” initiative has presented a wonderful opportunity, providing a virtual platform for ballet stars to teach voluntary classes, to encourage dancers to continue training even in confinement, while offering the wider public a glimpse of the daily life of a professional dancer. 

Together with French choreographer Sébastien Bertaud, Friedemann is pleased to share this simple class and improvisation exercise, in the hope that his small contribution will send a message of positivity to his fellow dancers that they too, will one day return to their dance studios, and subsequently to the stage, to share their beloved art form with their audiences again. 

Friedemann Vogel for GQ Italy 2020

"Dancer of the Year 2019 according to TANZ, the bible for contemporary dance, and one of the most important contemporary German dancers", Friedemann kicks off the new year with a fabulous feature in THE FASHION ISSUE of GQ Italia. Dressed by Dior for this exhilarating fashion shoot, Friedemann also gives an in-depth interview on the heightened intimacy between dancers, the ephemeral nature of the art form, the concept of masculinity in relation to dance. 

GQ Italy

Friedemann Vogel for GQ Magazine January 2020

Friedemann Vogel for GQ Magazine January 2020

Friedemann Vogel in Tokyo 2020

Alina Cojocaru and Friedemann Vogel

Alina Cojocaru and Friedemann Vogel


The “Alina Cojocaru Dream Project 2020” will bring Friedemann back to one of his favourite cities: Tokyo, where he will share the stage with other ballet stars from 5th to 9th February. Programme details will be announced closer to the time. Dates & tickets

Friedemann Vogel is Dancer of the Year 2019

Friedemann Vogel by Youn Sik Kim

Friedemann Vogel by Youn Sik Kim

Friedemann is delighted to be named "Dancer of the Year" by Tanz - the industry dance magazine - in recognition of his recent outstanding interpretations of Kenneth MacMillan's Mayerling and Akram Khan's Kaash. This is the second time he has received this prestigious accolade; he was named "Dancer of the Year" for the first time by Tanz in 2010.

Further information

Onegin in Beijing China

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For the Stuttgart Ballet's tour to Beijing in 2019, Friedemann will be dancing his critically acclaimed role of Onegin on the opening night on 1st November. He is looking forward to perform this masterpiece by John Cranko for the Chinese audience, and to being back on stage in China after nearly three years.

details & tickets





Romeo and Juliet in Taiwan

Photo (c) Stuttgart Ballet

Photo (c) Stuttgart Ballet

After participating in multiple editions of the annual International Ballet Star Gala in Taipei and Taichung, Friedemann will be giving his first ever full-length performance in Taiwan on 26th October, reprising one of his most popular roles as Romeo in John Cranko's celebrated masterpiece. Friedemann's performance of Romeo & Juliet with Stuttgart Ballet at the Weiwuying National Center for the Arts will also be the first time he is dancing in Kaohsiung.

details & tickets

Ballet Week with the Stuttgart Ballet

Friedemann Vogel (c) Youn Sik Kim

Friedemann Vogel (c) Youn Sik Kim

For the highly anticipated Ballet Week, Friedemann will be performing five productions from the Stuttgart Ballet’s 2018-2019 season, including Balanchine’s Symphony in C in Shades of White on 16th & 20th July, Akram Khan’s Kaash in Breath-taking on 24th July, John Neumeier’s The Lady of the Camellias on 25th July, Jiří Kylián’s One of a Kind on 27th July, and finally closing with Kenneth MacMillan’s Mayerling on 28th July. Friedemann is looking forward to revisiting these ballet masterpieces and contemporary classics in this annual celebration of dance.

more information

"Kaash" by Akram Khan with the Stuttgart Ballet

 
Friedemann Vogel (c) Koone

Friedemann Vogel (c) Koone

Kaash - meaning “if” in Hindi – was Akram Khan’s first full-length work, and Stuttgart Ballet’s premiere of Kaash will present several firsts for Friedemann. As always, Friedemann embraces the opportunity to acquire a different movement vocabulary, particularly the notable interplay between speed and stillness in the classical North Indian dance. As a ballet dancer, he is also excited to interpret this seminal piece by the eminent British choreographer, who broke new ground informing contemporary dance with kathak. Friedemann will perform Kaash for the opening night of the triple-bill Breath-Taking on 28th June, with more performances to follow.

details & tickets

Premiere Mayerling in Stuttgart

Photo (c) Roman Novitzky Stuttgart Ballet

Photo (c) Roman Novitzky Stuttgart Ballet

Crown Prince Rudolf in Mayerling is considered one of the most technically and emotionally demanding roles for male dancers; it is also a character that Friedemann aspired to perform for a long time. He is eagerly anticipating his debut in this challenging role of the tormented prince – heir to the Austro-Habsburg Empire in the late 19thCentury - at the Stuttgart Ballet premiere of the complex Kenneth MacMillan ballet on 18th May, with more performances to follow.

Details & tickets

Giselle with Polina Semionova and Ballett Zürich

Polina Semionova and Friedemann Vogel during rehearsal in Zurich Photo © Richard Egli

Polina Semionova and Friedemann Vogel during rehearsal in Zurich Photo © Richard Egli

Albrecht was Friedemann’s first ever lead role, and will therefore always hold a special place in his heart. As such, Friedemann is excited to reprise this role in Patrice Bart’s version of Giselle, based on the original choreography by Jean Coralli and Jules Perrot, with the sublime Polina Semionova and Ballett Zürich on 30 May for one performance only.

information & tickets

Friedemann Vogel in Rome for Serata Philip Glass

It is always a privilege for a dancer to be part of a creation, and an absolute joy for Friedemann to share the stage again with Paris Opera Ballet étoile and Artistic Director of Rome Opera Ballet Eleonora Abbagnato for this new collaboration with the Rome Opera Ballet. Nuit Blanche, choreographed by French choreographer Sébastien Bertaud and costumes of which are designed by the Christian Dior fashion house, will have its world premiere on 29 March 2019 in Rome as part of a Philip Glass evening.  More Information